Arquivo

Guido Chiesa repeats the tests carried out by Pier Paolo Pasolini to select the good-looking actors and actresses ready to be part of Salo, or The 120 Days of Sodom, of 1975, his last and most violent film. Pasolini wanted people that were willing to submit to all of the humiliation that is possible to the body, total alienation of people, boys and girls ready for anything. Audiction for a Massacre interposes the response received with scenes from the day-to-day life of these prospective actors.